Full Colour Photographs (trichromatic)
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| |
|
Subject(s) |
Image (Link) |
Date |
Photographer |
Process |
Location photographed |
Notes |
Provenance |
Sources |
|
Unknown Man |
1 |
1873/76 (?) |
Louis Ducos Du Hauron or Unknown German Photographer |
Three colour separation |
France or Germany |
The
original source of the image is unknown. Said to have been
taken by Du Hauron or a group of German photographers,
possibly the circle of H. W. Vogel. A painting dating from
2000 appears to be nearly identical to the photograph. |
Unknown |
1,
2,
3 |
|
Silas Weir
Mitchell |
Not Online |
1890s - 1907 |
Frederic Ives |
Kromogram |
USA |
Stereo-portrait. |
Eastman House |
1 |
|
Miss Santje |
Not Online |
1890s - 1907 |
Frederic Ives |
Kromogram |
USA |
Stereo-portrait. Miss Santje was probably actress Suzanne
Santje. |
Eastman House |
1 |
|
“Miss X.” |
1 |
1890s - 1907 |
Frederic Ives |
Kromogram |
USA |
Stereo-portrait. A transparency made after the portrait was
sold on Ebay in 2013. |
Unknown |
1,
2,
3 |
|
Unknown
Woman |
1 |
1890s - 1910 |
Gabriel Lippmann (?) |
Lippmann |
France |
|
Lippmann Family Collection |
1, 2 |
|
Unknown Boy |
1 |
1890s - 1910 |
Gabriel Lippmann (?) |
Lippmann |
France |
Sometimes
dated to c. 1910. |
Unknown |
1 |
|
Gabriel
Lippmann |
1 |
1890s - 1910 |
Gabriel Lippmann |
Lippmann |
France |
See below. |
Musée de lElysée |
1 |
|
Gabriel
Lippmann |
1 |
1890s - 1910 (c. 1892?) |
Gabriel Lippmann |
Lippmann |
France |
It seems
more probable that the portraits of Lippmann were taken in
the 20th century, perhaps around 1908, since Lippmann
appears older than in portraits from the 1890s. |
Musée de l'Elysée |
1,
2 |
|
Unknown
Woman |
Image Lost |
Jul. 1890 (?) |
Edward Bierstadt |
Three colour separation |
New York |
See below. |
Original lost |
1,
2 |
|
Edward
Bierstadt |
Image Lost |
Jul. 1890 - Jul. 1891 (?) |
Unknown |
Three colour separation |
New York |
In response
to a claim of the first colour portrait in Wilson's
Photographic Magazine, Edward Bierstadt sent two
portraits to Anthony's Photographic Bulletin, one of
a lady which he claimed was taken in July 1890 and another
of himself which was made within a year. Bierstadt
first exhibited colour portraits in 1892. |
Original lost |
1,
2 |
|
Several
Blurred People |
1 |
1891 - 1899 |
Gabriel Lippmann |
Lippmann |
Saas-Fee, Switzerland |
Several
people can be seen; they appear blurred due to the long
exposure time. |
Musée de l'Elysée |
1, |
| |
2 |
|
Ellen A. B.
Ives (?) |
Not Online |
10
Oct. 1891 |
Frederic Ives |
Kromogram |
USA |
A non-stereo
Kromogram titled “Mother”, dated 10 October 1891 is thought
to be a photographic portrait of Ives mother. |
Eastman House |
1 |
|
Around three
people |
1 |
1893 - 1910 |
Gabriel and/or Laurence Lippmann |
Lippmann |
Chougny, Vandoeuvres, Switzerland |
Around three
people can be seen. |
Musée de l'Elysée |
1 |
|
Unknown
Woman |
(1) |
Summer 1893 |
Lumière brothers |
Lippmann |
France |
Whereabouts
of the original is unknown; a black & white reproduction
survives. Presented at the 1893 International Photography
Congress in Geneva. Said to be the first portrait taken by
the Lippmann process. |
Published reproduction; original lost |
1,
2 |
|
Unknown Girl |
1 |
Summer 1893 (?) - 1910 |
Lumière brothers (?) or Gabriel Lippmann |
Lippmann |
France |
This picture
was in the possession of Gabriel Lippmann at the time of his
death. Speculated to have been an outtake from a photo
session by the Lumière brothers. |
Unknown |
1 |
|
Joseph
Aubrecht |
1 |
1894 - Oct. 1895 |
Photo Colortype Company |
Three colour separation |
Chicago |
This
portrait was published in the October 1895 issue of Wilson's
Photographic Magazine. Despite being called "directly from
life", the print appears to have been heavily retouched and
has little photographic qualities left. Exposure time was
reported to be 45 minutes. Taken by the Photo Colortype
Company, which started business in 1894. |
Published reproduction; original lost |
1,
2 |
|
Edward
Bierstadt |
Image Lost |
11
Sep. 1894 |
Unknown |
Three colour separation |
New York |
Bierstadt
had himself photographed in colour on his 70th birthday; a
print of the resulting photograph was sent to Anthony's
Photographic Bulletin. It was hoped that Bierstadt would be
photographed in colour 10 years later, in 1904. If he did
this or not remains unknown. |
Original lost |
1 |
|
Unknown
Woman |
1 |
c.
1895 |
Frederic Ives |
Kromogram |
USA |
Stereo-portrait of a lady with a hat, dated to "about 1895".
The image appears to be a photograph of a painting rather
than a photographic portrait. |
Unknown |
1,
2 |
|
Unknown |
Image(s) Lost |
Before Nov. 1895 |
Unknown |
Unknown |
USA |
See below. |
Original(s) lost |
1 |
|
Unknown |
Image(s) Lost |
Before Nov. 1895 |
John Joly |
Joly |
Ireland |
See below. |
Original(s) lost |
1 |
|
Unknown |
Image(s) Lost |
Before Nov. 1895 |
James William McDonough |
McDonough |
USA |
According to
Anthonys Photographic Bulletin in November 1895: “We
ourselves have made portraits in colors direct, and we have
also seen portraits by Joly and McDonough ...” |
Original(s) lost |
1 |
|
Albert
Bierstadt |
1
(colour corrected) |
Before 11 Nov. 1895 |
Edward Bierstadt |
Three colour separation (Collotype print) |
(Unknown) possibly New York |
All
pictures mentioned above have either been lost or could have
been taken after 1895. The date when this photo was taken is
unknown, but a print was sent by Bierstadt to Elbridge Gerry
on 11 November 1895. |
Clark Art Institute Library |
1,
2,
3 |
|
Unknown Man |
Unlocated |
c.
1897 |
(David) Cameron Swan |
Kromogram |
Scotland |
Shows the
figure of a man seated in front of a thatched hut, probably
in Scotland. Posted to the PhotoHistory Yahoo Group on 14
April 2010. |
Unknown |
1 |
|
Unknown
Woman |
1 |
c.
1897 |
James William McDonough (?) |
McDonough |
USA |
|
Eastman House |
1,
2 |
|
Ida Saxton
McKinley |
1 |
Mar. 1897 - Mar. 1900
(c. 1899?) |
Frederic Ives &
William N. Jennings |
Kromogram |
White House Conservatory |
Stereo-portrait. Ida McKinley was the first lady of the
United States at the time. The Eastman House dates this
portrait to c. 1899. |
Eastman House |
1,
2,
3 |
|
Mr. Robinson |
1 |
c.
1898 |
Frederic Ives |
Kromogram |
USA |
Taken by
Frederic Ives for Sir William James Herschel, who later
claimed it was the first colour photographic portrait ever
taken. |
Unknown |
1 |
|
Gabriel
Veyre |
1 |
1898 |
Gabriel Veyre |
Trichrome Lumière |
Mexico |
Stereoscopic
self-portrait taken by Veyre during his around-the-world
filmmaking trip in Mexico. |
Jacquier-Veyre Collection |
1 |
|
Unknown Man
with Dragon Tattoo |
Not Online |
1899 |
Frederic Ives (?) |
Kromogram |
USA |
Non-stereo
Kromogram. |
Unknown |
1 |
|
Unknown
Woman |
1 |
1899 |
Unknown |
McDonough |
Chicago |
See below. |
National Museum of American History |
1 |
|
Thomas A.
Banning |
1 |
1899 |
Unknown |
McDonough |
Chicago |
See below.
Thomas A. Banning appears as a witness in a patent for a
printing press designed for McDonough's colour process. The
subject may be Thomas Allen Banning, Sr. (1851 - 1927). A
Thomas A. Banning, Jr. gifted some undated McDonough colour
transparencies to the Eastman House. |
National Museum of American History |
1,
2,
3,
4 |
|
Miss Edith
Banning |
1 |
1900 |
Unknown |
McDonough |
Chicago |
See below.
Subject possibly Edith Banning (c. 1882 - 1928), who was the
daughter of Thomas Banning, Sr. (1851 - 1927) mentioned
above. |
National Museum of American History |
1,
2 |
|
Miss Nolia
Gilchrist |
1 |
1900 |
Unknown |
McDonough |
Chicago |
None of the
above four pictures could have been taken by James William
McDonough, as stated by the source, since he died in 1897. |
National Museum of American History |
1 |
| |
| |
Partial/Possible Colour Photographs
|
| |
|
Subject(s) |
Image (Link) |
Date |
Photographer |
Process |
Location photographed |
Notes |
Provenance |
Sources |
|
Levi Hill |
1 |
c.
1850 |
Levi Hill |
Hillotype |
New York State |
Hill's
process only reproduced a small part of the colour spectrum. |
National Museum of American History |
1 |
|
Cléo de
Mérode |
1 |
1895 (?) |
Louis Amédée Mante |
Mantochrome (?) |
France |
See below. |
Private collection |
1,
2,
3 |
|
Marguerite
Chenu-Vrignault |
1 |
1895 (?) |
Louis Amédée Mante |
Mantochrome (?) |
France |
See below. |
Private collection |
1,
2,
3 |
|
Unknown
Dancers |
1 |
1895 (?) |
Louis Amédée Mante |
Mantochrome (?) |
France |
See below. |
Private collection |
1,
2,
3 |
|
Victor
Alexander Joseph Warot |
1 |
1895 (?) |
Louis Amédée Mante |
Mantochrome (?) |
France |
See below. |
Private collection |
1,
2,
3 |
|
Marius
Ivanovich Petipa |
1 |
1895 (?) |
Louis Amédée Mante |
Mantochrome (?) |
France |
See below. |
Private collection |
1,
2,
3 |
|
Unknown
Model |
1 |
1895-98 (?) |
Louis Amédée Mante |
Mantochrome (?) |
France |
See below. |
Private collection |
1,
2,
3 |
|
Unknown
Model |
1 |
1895-98 (?) |
Louis Amédée Mante |
Mantochrome (?) |
France |
See below. |
Private collection |
1,
2,
3 |
|
Unknown
Model |
1 |
1895-98 (?) |
Louis Amédée Mante |
Mantochrome (?) |
France |
See below. |
Private collection |
1,
2,
3 |
|
Cécile Sorel |
1 |
1898 (?) |
Louis Amédée Mante |
Mantochrome (?) |
France |
Louis Amédée
Mante, a French photographer is rumored to have invented a
process similar to Autochrome, dubbed "Mantochrome", in the
1890s. There seems to be no contemporary evidence for this
claim, though very little has been published on the subject.
It is believed that his "Mantochromes" were colorized black
& white photographs re-photographed via the Autochrome
process. |
Private collection |
1,
2,
3 |