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Dennis Danvers: The Fourth World (2000); The Watch: Being the Unauthorized Sequel to Peter A.
Kropotkin’s Memoirs of a Revolutionist – as Imparted to Dennis Danvers
by Anchee Mahur, Traveler from a Distant Future; or, A Science Fiction
Novel (2002)

Although it will be The Watch that is of
most interest to anarchists, Danvers's previous novel, The Fourth
World, is also a refreshing left-libertarian take on a possible
future, in which Chiapas and the Zapatistas are centre-stage.
The Watch is supposedly written in
the first person by Peter Kropotkin, who has been plucked from his deathbed,
rejuvenated, into a future in which he has the opportunity to foster
anarchism once more. The plot is on the weak side, but the writing is first
rate, and the Kropotkin character thoroughly researched, as is historical
anarchism itself (with references to more recent figures such as Bookchin and
Chomsky). Anarchism is integral to the book, and is presented with the utmost
sympathy. Very readable, and a wonderful introduction to anarchist ideas for
anyone not familiar with them.
For Magpie Killjoy, whose
favourite anarchist fiction novel this is, “The book tells a low-key and
beautiful story with compelling characters, yet introduces the reader to
some of the most basic of anarchist political and philosophical
concepts.” (Killjoy,
Fall 2011)
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Joseph Déjacque:
L’Humanisphère: utopie anarchique (The Humanisphere: An Anarchistic Utopia)
(1858-61; first
unexpurgated edition 1971)

‘A walk-through description of the world in the year 2858, after the abolition of the state, religion, property, and the
family.’ (Dan Clore) Described by Kropotkin himself as an anarchist-communist utopia, and by Max Nettlau as ‘L’utopie
anarchiste par excellence’. Editor of the New York anarchist paper Le
Libertaire, he ‘let his utopian imagination run riot’ in L’Humanisphère.
‘Each is his own representative in a ‘parliament of anarchy’. Déjacque's
‘humanispheres’ resemble Fourier's ‘phalansteries’ and while based on the
principle of complete freedom reflect a similarly rigid planning.’ (Peter
Marshall:435) For George Woodcock Déjacque's vision was 'Fourier modified by his
opposite, Proudhon.' He also felt that it 'in some remarkable ways anticipates
the vision of the future which H.G. Wells projected in Men Like Gods.'
(Woodcock [1975]: ch. 10)
L'Humanisphère was first serialised in Le Libertaire,
the US’s first anarcho-communist journal, of which Déjacque was editor. (Killjoy,
2009) Déjacque is said to have exercised an influence on the anarchist movement
in Latin America through the intermediary figure of journalist Sebastian Faure.
(Heffes 2009: 129)
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Samuel Delany: Dhalgren (1974); Trouble
on Triton: An Ambiguous Heterotopia; or, Some Informal Remarks toward the Modular Calculus (1976;
originally entitled Triton)
Dhalgren
has been described as
presenting a world which is ‘anarchist in all but name’ (Moore 95).
Although this is questionable, this is a stimulating and thought-provoking novel
that bears inclusion here.
Trouble on Triton was recommended by
Common Action at the panel “Beyond The Dispossessed: Anarchism and Science
Fiction” at the Seattle Anarchist Bookfair in October 2009. Delany has said
that the novel was written partly in dialogue with Ursula Le Guin’s The
Dispossessed, his ambiguous heterotopia a response to her ambiguous utopia.
His own perspective is that SF can’t really be utopian. More pretentious
than Dhalgren, Trouble on Triton hasn’t aged as well. The
interview with Delany published in 1990 as
“On
Triton and Other Matters” is actually more interesting than the
novel.
Philip K. Dick: ‘The Last of the Masters’ (1954)

In this early story Dick took anarchism itself for its explicit theme. Two hundred years after the triumph of the Anarchist
League by overthrowing the world’s governments, a pocket state is discovered, ruled by a still-surviving government
robot. An Anarchist League agent destroys the robot. The League itself is a voluntary club of unorganised individuals
whose task it is to patrol the world scotching any attempts to restore government. It is made clear at the end of the
story that, while there are disadvantages to global anarchism, they are more than outweighed by the effective abolition
of war that has followed from its adoption.
A
proponent of governmental decentralisation and opponent of organised religion,
it is perhaps unfortunate that some of Dick’s later, delusional, work has had a
posthumous influence in the emergence of anarcho-gnostics.
Paul DiFilippo: ‘Any Major Dude’
(1991)
The whole of North
Africa has become a political isolate thanks to its controversial use of
anti-entropic free energy from nanotechnology. Money is increasingly pointless,
and guns won’t function, as a consequence of “a local accumulation of
anti-entropy”. A pre-utopian sidelong glimpse of the state in the very act of withering
away.
Thomas M. Disch: Camp Concentration (1968); ‘Mutability’ (1978)
Vittorio Curtoni, writing in 1978, considered Camp
Concentration to be "very fine".
'Mutability' is set in the free university city of Tübingen at the end of the 21st century. Tübingen is said to have been declared a free city by the UN in
2039, after the faculty and students of the university had spearheaded the pan-Germanic Anarchist movement. It is said to have a uniquely democratic
government.
Both recommended by
Common Action at the panel “Beyond The Dispossessed: Anarchism and Science
Fiction” at the Seattle Anarchist Bookfair in October 2009.
Down and Out in the Magic Kingdom
features a post-scarcity future in which money has been replaced by personal
reputation ratings, or 'Whuffie'.
Little Brother
won the 2009 Prometheus Award. A stirring novel for young adults, it features a
hackers' fightback against the paranoid surveillance society of the US
Department of Homeland Security. The sequel, Homeland, is scheduled for
publication in February 2013.
Jane Doe: Anarchist Farm (1995)
Very entertaining animal fable sequel to Orwell’s Animal Farm; not actually sf.
Henry S. Drayton: In Oudemon: Reminiscences of an Unknown People by an Occasional Traveller (1901)
Egalitarian, anarchist utopia.
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L. Timmel Duchamp: The Marq’ssan Cycle –
Alanya to Alanya (2005),
Renegade (2006), Tsunami (2007),
Blood in the Fruit (2007), Stretto (2007)
Included in
Killjoy’s list of stories that explore anarchist societies. Also recommended by
Common Action at the panel “Beyond The Dispossessed: Anarchism and Science
Fiction” at the Seattle Anarchist Bookfair in October 2009.
In the strongly feminist Alanya to Alanya
Earth women, including some anarchists, are actively supported by the Marq'ssan
aliens, who, with technological superiority on their side, vigorously promote
"non-authoritarian self-governance". Blood in the Fruit
includes a sequence in which the North West Free Zone celebrates Emma Goldman
Day; three Goldman quotations serve as epigraph to the novel, and the front
cover features a photograph of Goldman speaking in Union Square, at Duchamp's
own suggestion - she has said that "Most of the Free Zone activists are
working-class women who embrace a philosophy of life and politics very close to
Goldman's . . .".
SM: So anarchism, or negotiation, is possible not
only on a small scale but also a large scale?
LTD: Yes, I believe it is. But it would require
major changes in our educational system, in the distribution of information, and
in how we live as active, responsible subjects in the world. It would require,
in short, that as a species, we mature and leave childhood behind (i.e., that we
metaphorically speaking develop the part of our pre-frontal cortex that is able
to see past the moment and think beyond impulse, as the medical literature tells
us happens when individuals mature into adults).
[interview
by Sean Melican]
The Marq'ssan Cycle as a whole is a significant
work, looking at relationships of power at many levels, especially the
interpersonal. Duchamp has said:
I wanted this to be a story charting an on-going process
of change, not one in which a tabula-rasa utopia is created in the wake of an
apocalypse allowing everyone to "start over" without significant institutional
baggage. In the course of writing the first novel, I soon realized that getting
rid of a repressive regime is the easy part. The characters in these books are
as resistant to changing ingrained patterns of political and social behavior as
any living person is. Which is why the series spans two decades and comprises
five long novels.
[interview
by Cheryl Morgan]
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